Mukhbiir

Starring: Sammir Dattani, Om Puri, Suniel Shetty, Sushant Singh, Raj Zutsi, Rahul Dev, Alok Nath

Written & Directed by: Mani Shankar

Rating: ***

The biggest strength of this gritty espionage thriller is also its primary weakness.

So real and bleak is the world of espionage created by writer-director Mani Shankar, so littered with carnage and catastrophe, that you wonder if the the sheer sexiness of being a spy that we saw Dharmendra and Tom Cruise experience in Aankhen and Mission Impossible was a cinematic hoax created to hoodwink us into believing in the heroic hijinks of people who risk their lives for the sake of national security.

Mukhbiir creates a universe of continual searching and annihilation, where heroes are made and unmade with the passage of one bullet from gun to temple, and God help the temple!

The young protagonist Kailash (Sammir Dattani) in Mani Shankar's film is painfully young vulnerable and so brutally thrown from one ruthless organization to another (legitimate or otherwise) that at the end of his anguished journey in search of a selfidentity we want him to be liberated of the pain that seems to be his only constant companion.

The characters come and go in episodic eruptions. Silence is Kailash's final ally.

What Mukhbiir does to the spy genre is to turn it inside out.

We aren't looking at James Bond's stirred-and-sexy world of the spy who loved the good life.

Mukhbiir takes us into the murkiest depths of the espionage business where survival isn't a craving. It's a fugitive option offered to a few lucky ones.

Luckily for the gripping and gritty script the protagonist is a boy-man constantly thrown into situations of severe uncertainty and terror.The tension never slackens.

The reluctant young spy survives by sheer instinct and guts.The screen time is segregated into various episodes from Kailash's life as a government informer in action.

Luckily the shoot-outs, somewhat amteurish in their chaotic eruptions, do not define the protagonist's life as much the human contact.

Every encounter written for Sammir Dattani's character creates a new level of existential summit in his doomed life until we come to the finale where on Kailash's life (and death) hinges the survival of a city.

The play of the personal and inter-personal is not quite as 'epic' on screen as it would appear in the writing. The director fills up the awkward ill-defined spaces in the narrative with pockets of humour and bridled drama all signifying the dynamics of an individual life's relationship with a troubled and violent society.

The final dialogue on Islam and violence between Rahul Dev (sinister and frightening in his stoic acceptance of violence as a way of life) lingers after the film.

Mani Shankar's storytelling is highly original. There're no false moments in the discursive yet clenched drama of dissociation where Kailash becomes so distanced from his original identity that he eventually forgets who he is.

The impressionable automaton's life is mapped out in ruthless detail.

The powerful script lets us know there's no mercy for the weak in this grim and unsettled world of espionage and extremism. The two fatally- compatible worlds meet in strange eerie places where Kailash's masquerade as a man removed from his natural roots is so complete you wonder if he can ever go back to a 'normal' life.